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| Douglas Hodge as Albin in the 2010 production of La Cage aux Folles (photo by Joan Marcus) |
A sermon given at a service of Holy Communion (BCP) on Sunday 31st August 2025 at St Giles-in-the-Fields based on the text of 1 Corinthians 15.1-11 and Luke 18.9-14.
Please be seated. First, I have the privilege of publishing the banns of
marriage between Joby and Andrew….Welcome to them - and a warm welcome again to
you all, including those who have travelled here from afar, having attended the
marriage of our churchwardens Catherine and Oliver here yesterday.
It is thanks to a
fictional wedding, as it happens, that we have this glorious song;
“I am what I am
And what I am needs no
excuses.
I deal my own
deck
Sometimes the ace,
sometimes the deuces,
It's one life and
there's no return and no deposit.
One life so it's time
to open up your closet
Life's not worth a damn
till you can shout out:
I am what I am.”
In spite of my rather pitiful
performance, what many may recognise as Gloria Gaynor’s classic disco anthem
was written by Jerry Herman for the 1983 Broadway musical La Cage aux
Folles, where it forms the showstopper at the end of the first act. The
musical is based on a French farce of the same name.
Performed by Albin -
who, dressed as Zaza is the star of his partner George’s’ St Tropez drag club.
Albin belts out his showstopper after he finds out about George’s’ plan to hide
their gay identity from their son Jean-Michel’s soon-to-be-father-in-law, who
happens to be an ultra conservative politician coming to dinner with his wife
after the show. In between sets on stage at the club, Albin catches Georges and
Jean-Michel removing anything remotely gay from their flat upstairs (which is
basically everything) and in the process of which he discovers that even he is
to be cast into the sin-bin; deemed too visibly and problematically gay to
attend either the dinner that evening or the forthcoming wedding.
It is in the face of
such judgement that Albin sings, “I am what I am” - not a cry of arrogance, but
an anthem of pride and self-worth; a protest song against the shame of others.
A song that was taken up by a wide range of artists from marginalized
communities and rose to particular prominence as a gay anthem during the height
of the AIDS crisis in the 1980’s.
The lyricist Jerry
Herman was inspired by a line in Harvey Fierstein’s original script, in which
Albin says:
“I have spent the
majority of my life fighting every rule in the book, battling every lesson I
was taught, examining, analysing and reordering everything I was ever told just
to find out who I am. I may not be anyone’s idea of what someone would be. But I
am me. And I have worked too hard to find out who that is to throw it away
now….”
In Chapter 15 of his first letter to the Corinthians, St Paul offers not only a
potted version of the gospel but also a personal account of his battle to come
to terms with its life-changing consequences, apparently in the face of
judgement from those in the church who were questioning the truth of Christ’s
bodily resurrection.
Paul responds to their
doubt by combining theology with personal testimony.
First and foremost, he
explains, the resurrection of Christ makes us who we are. And who we are needs
no excuses. Christ died for our sins, he was buried and rose again on the third
day, according to the scriptures.
Paul goes on to list
all the people who encountered the risen Christ, concluding with his own
experience at the moment of his conversion. He describes himself as the “least
of the apostles” because he “persecuted the church of God”. “But”,
he continues, “by the grace of God I am what I am: and his grace which was
bestowed upon me was not in vain.
Here, Paul’s cry of ‘I
am what I am’ is a public confession acknowledging his own battles with all he
was taught - and all he taught others as a zealous Pharisee. His own struggle
to analyse and reorder everything he was ever told, on the journey to find out
who he really is. He may not be everyone’s idea of a perfect apostle, he admits
- he acknowledges his past and his guilt but he doesn’t let that define him.
Nor does he seek to justify himself; to claim that the person he has become is
the result of his own hard work.
Instead, Paul locates
his identity entirely in the transforming power of God’s grace, revealed
through the life, death and resurrection of his Son.
It is only through
which, Paul says, and not by his own merits, that he has received the freedom
to be the person God meant him to be. Free from sin and guilt. Free to choose
which cards to play in life - sometimes the ace, sometimes the deuces.
Paul’s confession, like
Albin’s song, is a candid and intimate declaration of personal identity and
self-worth - and the challenges and costs of our lifelong quest for meaning.
Paul’s lyrics are clearer about acknowledging who created the deck of cards we
have been given to deal in life.
Just as Albin pushes
back at the shame piled upon him by his family, here Paul is publicly defying
those too ashamed to declare the Good News of the Risen Christ
by offering his own body - all that he was and all he is becoming - as
evidence; encouraging others in the church to boldly - and publicly - do the
same.
“Life's not worth a damn
till you can shout out:
I am what I am.”
In our gospel reading
we are introduced to two men who have gone to the temple to pray. One is a
religious leader - a Pharisee, someone respected by most people in the
community; seen as devout and righteous. The other is a publican - or tax
collector - despised as someone morally corrupt, a traitor to his people,
collecting tax on behalf of the occupying forces.
We listen in to their
prayers. The Pharisee’s prayer goes like this:
“God, I thank thee that
I am not as other men are, extortioners, unjust, adulterers, or even as this
Publican: I fast twice in the week, I give tithes of all that I possess.”
A prayer that begins as
if one of gratitude - but soon turns into judgement; as the Pharisee compares
himself to others he deems less righteous than himself. He defines who he is by
what others are not - in a sort of spiritual one upmanship.
Then we hear the
publican, or tax-collectors prayer. He has distanced himself by standing apart
from the others and is unable to raise his eyes to the heavens. But he beats
his chest and cries out “God be merciful unto me, a sinner.”
And Jesus says it is
this man, who without pretense, without comparing himself to others, stands
before God, his hands beating against his chest and declaring
himself to be a sinner - it is this man who is justified - made right - in the
sight of God.
Why?
Because he comes as he is. Acknowledging all he has done and not done. In the
face of the shame and judgement heaped upon him by those around him - and
doubtless a good dose of his own. He submits himself to God’s mercy.
The publican might not
say these exact words, but his whole posture cries out
“I am what I am.”
And God accepts him as
he is.
Yesterday, our two
Churchwardens, Catherine and Oliver, stood here in the sight of God and in the
presence of their family and friends, to make their marriage vows. In November, God
willing, Joby and Andrew will do the same.
Vows which remind us of
that same Gospel truth. That life together - with each other and with God - is
not about Pharisaic perfection but gracious presence. Being with each other for
better, for worse, for richer, for poorer, in sickness and in health. Standing
before each other, in the sight of God, just as we are. Beloved, forgiven and
free and learning to accept that God given love, forgiveness, and freedom in
others which is the foundation of every Christian community.
Albin, Paul, the
unnamed Publican - were all faced with a choice when confronted with shame and
judgement. To remain prisoners of its shade, or to step into the freedom that
is the light and love of the Risen Christ. We are faced with the same choice.
I’ve got a confession
to make. Becoming a priest doesn’t suddenly make you a nice and holy person -
as regular members of the congregation will be able to confirm!
But by the grace of God
I will stand at that altar in a moment just as I am and during the liturgy I
will read out what are called “comfortable” words. Com fort meaning “with
strength.” These passages from scripture have been chosen to give strength to all
of us who are carrying shame and guilt. All who are nervous about how we will
fare in the face of judgement. These words give confidence to all - but perhaps
especially those of us, like the tax collector, who have doubts about their own
worthiness as recipients of Gods love.
I hope they give you strength
to stand up and join me there. To receive Holy Communion or a Blessing.
That you may know truth
of the Good News of our Risen Saviour – and learn to embody it as St Paul did. The
truth that we don’t have to hide. We don’t have to perform. We don’t have to
compare ourselves to one another. We just have to stand up before God say “I am
what I am”.
In the knowledge that whatever we have done, whatever we have left undone, his
mercy and grace - his eternal love - has set us free.
And may we all go home
justified.
Not because of what we are,
but because of who God is.
Amen.
Image: Douglas Hodge as Albin in the 2010 production of La Cage aux Folles (photo by Joan Marcus)

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